The designer, therefore, has the possibility to choose the product most suitable to its design, aesthetic, and functional needs, and has the ability to freely download all the textures that are useful for the graphical representation of the environment.
In this sense, Syncronia and the partner companies provide valuable help to the designers by providing textures, material libraries, catalogues, and technical information for paint suitable for external and internal environments.Īll the products of our partners and all textures of paints with the colour variants can be found on this page. Therefore, paints are a fundamental choice, especially in interior design projects because they determine and influence the perception that we have of a space: the light, size, and atmosphere.
Heat pumps, air conditioning and heating. External and internal cladding, facades, and masonry. Still, the final textures are done in Blender because I have a better look at how the object actually looks like when textured and I might be in need to adjust some of it before rendering. After that I switch over to Photoshop and do the rest of the hand painting there. The same is done with a darker color for the shadows. Usually, I edit the textures externally because sometimes, I like to experiment with the different types of brushes and with the filters that Photoshop CS6 provides.Įven though I realized that a flat round brush is all you need most of the times, it has become somewhat of a habit to simply do the textures in Photoshop because I feel the most comfortable with it, considering that I’ve used that program for quite some years now.Īlso, I feel I have more control with Photoshop.Īs for the texture painting process, I block out the main colors of all objects with Blender’s Texture Paint and add some brighter color to define the light. It gives the 3D model a personal touch, and I can still practice my digital painting. 
Texturing takes most of the time because I hand paint all of my textures.
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